Australian-Chinese tenor Kang Wang is one of the most sought-after young lyric tenors in the opera world. He is a former member of the Lindemann Young Artist Development Program of the Metropolitan Opera and a finalist in the 2017 Cardiff Singer of the World competition.
Plans in season 2026/27 include the house debuts with Gran Teatre del Liceu (La bohème), Opera di Roma (I due Foscari) and Warsaw National Opera (Les contes d’Hoffmann), La bohème with Opera Australia in Melbourne, Staatstheater Stuttgart and Semperoper Dresden, as well as La bohème and Der Rosenkavalier with Vienna State Opera.
Highlights in the past seasons included Alfredo (La traviata) with Metropolitan Opera and Seiji Ozawa Music Academy, Ismaele (Nabucco) at the Bavarian State Opera, Alfredo and Rodolfo (La bohème) with Teatro di San Carlo, The Monkey King in the world première of Huang Ruo’s homonymous opera at San Francisco Opera, Rinuccio (Gianni Schicchi) at Vienna State Opera, Macduff (Macbeth) at the Washington National Opera, Roméo (Roméo et Juliette) at Semperoper Dresden, Pinkerton (Madama Butterfly) and Rodolfo (La bohème) at Canadian Opera, Rodolfo (La bohème) at Teatro del Maggio Musicale Fiorentino, Don Ottavio (Don Giovanni) at Houston Grand Opera, the title role in Les contes d’Hoffmann at Palm Beach Opera. He has also performed at renowned houses and festivals, including Opernhaus Zürich, Opera Australia, Klangvokal Festival Dortmund, Tiroler Festspiele, Seattle Opera, Toscanini Festival in Italy, the Glimmerglass Festival, Opera North in Leeds, Pittsburgh Opera, and Opera Hong Kong, delivering compelling portrayals of
Duca di Mantua in Rigoletto, Ferrando in Così fan tutte, Tamino in Die Zauberflöte, Roberto in Le villi, Fernand in La favorite, Edgardo in Lucia di Lammermoor.
In concert, Mr. Wang has joined the Melbourne Symphony Orchestra, Beijing Symphony Orchestra, Los Angeles Philharmonic Orchestra, the National Philharmonic Orchestra of Russia, London Philharmonic Orchestra, San Antonio Symphony, American Classical Orchestra, Hong Kong Philharmonic Orchestra, Philadelphia Orchestra as well as Queensland Symphony Orchestra, for works such as Verdi’s Requiem, Mahler’s Das Lied von der Erde, Rossini’s Stabat Mater, Mendelssohn’s Elijah, Beethoven’s Symphony No. 9, Britten’s War Requiem, Tan Dun’s Buddha Passion and various operatic gala concerts. Mr Wang has also given recitals in the United Kingdom, United States, Estonia, Russia, China, and Australia.
A favourite of competitions, Mr. Wang was a finalist in the 2017 Cardiff Singer of the World competition, has won 2nd place in the renowned Belvedere International Singing Competition held in Moscow in 2017, and the People’s Choice Award in the Dame Joan Sutherland National Vocal Award in Australia. In 2016, he won 2nd place as well as the People’s Choice Award in the Dallas Opera Guild Vocal Competition. In 2014, he won the 2014 Clonter Opera Prize in the United Kingdom.
Originally from Harbin, China, Mr. Wang is the son of two renowned opera singers. He received an International Artist Diploma at the Royal Northern College of Music in Manchester, United Kingdom, and a Master’s degree in Opera Performances from the Queensland Conservatorium at Griffith University in Australia.
Gianluca Macheda
Grzybowska 43a, lok. 72 00-855
Warsaw Poland
gmacheda@gmartandmusic.com
Martina Biagini
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+39 3479762848
mbiagini@gmartandmusic.com
“As her lover Alfredo, Kang Wang has one of the finest tenor voices we have heard in recent years. It is a beautiful, seemingly effortless lyrics tenor with crystal-clear delivery, faultless technique and superb top notes.”
Limelight Magazine
Young Australian-Chinese tenor Kang Wang was a finalist in the Cardiff Singer of the World last year. His range is delivered smoothly throughout, especially across the break, and there is an admirable warmth of tone in his quieter passages as the love-sick Alfredo. This is a voice which will be welcome in the world’s great opera houses for many years to come.
Express and Star
“His singing in the Requiem was a revelation. ‘Ingemisco’ was utterly assured, culminating in a clarion sustained B flat. Wang was charismatically good in the ‘Hostias’ in ‘Offertorio’, with an elegant, sustained trill that few tenors would risk. What an elegant young tenor Wang is;”
Australian Book Review
“Wang’s voice was a revelation, his rich mellifluous tenor immediately grabbing my attention, so sure and confident, so true and expressive. His rendition of the Brindisi boldly captured the feelings he felt for Violetta, soon followed by his passionately sincere “Un di felice”, giving voice to the torture and delight he felt. I could imagine that the whole universe was indeed pulsing with his love … In Act 2, Wang’s “De’ miei bollenti spiriti”, pouring out his contentment, relaxed and at peace, conveyed the hopes of a young man in love.”
Bachtrack
“Kang Wang, another newcomer to the company, accomplished what tenors in the role of Don Ottavio rarely do – he gave the audience a believable understanding of why he was the grand Donna Anna’s fiancé. Usually the character comes across as a bit of a milksop, trailing in the formidable lady’s wake for no obvious reason, but he sang and acted the part in a manner that conveyed a strength that frequently is lost. In a spot or two his phrasing was not of the smoothest, but seeing this role in the hands of a singer who could make something of the part was such a refreshing change that it didn’t much matter.”
onStage Pittsburgh