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|New Signing| Ewa Płonka

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|New Signing| Ewa Płonka

GM Art&Music is thrilled to welcome soprano Ewa Płonka for Worldwide General Management.

With a voice that captivates the world’s stages and stage charisma that resonates across borders, Polish-American soprano Ewa Płonka has steadily emerged as one of the most compelling artists of her generation. Praised for her vocal richness, dramatic range, and keen musical insight, Płonka stands among the leading figures on today’s international operatic stage—her name often associated with vocal brilliance and expressive depth.
In recent seasons, Płonka has captivated audiences in iconic portrayals, including Turandot in La Scala (2026), The Royal Opera House (2025), Teatro Real Madrid (2023), China – New Production / Jackie Chan (2026), Deutsche Oper Berlin (2024 & 2025), Seoul Arts Center – New Production (2026), COEX Center – New Production (2024), Tokyo Bunka Kaikan (2024), Washington National Opera – New Production and World Premiere of Ch. Tin’s new ending (2024), Savonlinna Opera Festival (2025), Staatsoper Hamburg (2024), Teatro Massimo – New Production (2024); Abigaille in Nabucco at Bayerische Staatsoper (2026), Arena di Verona Festival (2022, broadcast), Teatro Real Madrid (2022), Teatro Massimo (2022), Semperoper Dresden (2023), Deutsche Oper Berlin (2025), Teatro Verdi – New Production (2025); Lady Macbeth in Macbeth at Opernhaus Zürich (2023 & 2025), Deutsche Oper am Rhein (2021 & 2022), Washington National Opera – New Production (2024); Tosca at Hamburg State Opera (2025), The Dallas Opera (2023), Virginia Opera (2019), Opera Wrocławska (2022); Aida at Paris National Opera (2025), Polish National Opera (2023), Prague National Opera (2022 and 2023); Foreign Princess in Rusalka at Bayerische Staatsoper (2023); Venus in Tannhäuser at The Royal Opera House (2023).
Equally commanding on the concert stage, Płonka has appeared as soloist in monumental works such as Mahler’s Symphony No. 3, Rachmaninov’s The Bells, Delius’s A Mass of Life, Mendelssohn’s Elijah, Wagner’s Wesendonck Lieder, Szymanowski’s Stabat Mater, and gala performances at Carnegie Hall, the Lincoln Memorial, philharmonic halls and concert halls across Europe and the USA, and international festivals. Her artistry reveals itself not only in the grandeur of operas by Verdi and Puccini, but also in the Lieder of Strauss, Mahler, Wagner, and Slavic composers.

Welcome on Board, Ewa!!